Georgetown Peabody Library

The Bourne ultimatum., a Universal Pictures presentation in association with MP Beta Productions ; a Kennedy/Marshall production in association with Ludlum Entertainment ; a Paul Greengrass film ; produced by Frank Marshall, Patrick Crowley, Paul L. Sandberg ; screen story by Tony Gilroy ; screenplay by Tony Gilroy and Scott Z. Burns and George Nolfi ; directed by Paul Greengrass, Widescreen

Label
The Bourne ultimatum., a Universal Pictures presentation in association with MP Beta Productions ; a Kennedy/Marshall production in association with Ludlum Entertainment ; a Paul Greengrass film ; produced by Frank Marshall, Patrick Crowley, Paul L. Sandberg ; screen story by Tony Gilroy ; screenplay by Tony Gilroy and Scott Z. Burns and George Nolfi ; directed by Paul Greengrass, Widescreen
Language
eng
Characteristic
videorecording
Intended audience
MPAA Rating: Rated PG-13 for violence and intense sequences of action; Canadian Home Video rating: 14A
Main title
The Bourne ultimatum.
Oclc number
168630200
Responsibility statement
a Universal Pictures presentation in association with MP Beta Productions ; a Kennedy/Marshall production in association with Ludlum Entertainment ; a Paul Greengrass film ; produced by Frank Marshall, Patrick Crowley, Paul L. Sandberg ; screen story by Tony Gilroy ; screenplay by Tony Gilroy and Scott Z. Burns and George Nolfi ; directed by Paul Greengrass
Runtime
116
Summary
Once again, Jason Bourne emerges from hiding and into chaos. His return this time prompted inadvertently by London-based reporter Simon Ross. Ross's writing is unveiling Operation Blackbriar--an upgrade to Project Treadstone--in a series of newspaper columns which have woken, and profoundly disturbed, Bourne's former masters. Bourne must uncover and eradicate the sources of their paranoia, before they eradicate him. Clawing his way out of madness, Jason Bourne has regained his conscience even though he has lost most of his mind
Table Of Contents
Vague memories -- Serious threat -- Full priority situation -- Target on the move -- Take them both out -- Unfinished business -- After the source -- Standing kill order -- Where it all started -- Course deviation -- Run for your life -- Confirm deaths -- It gets easier -- Trying to communicate -- Going mobile -- Shoot on sight -- This is where it ends -- Remembering everything -- Yet to be found -- End titles
Target audience
general
Technique
live action
resource.version
Widescreen
Classification
resource.originPlace
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Outgoing Resources